Showing posts with label Mozart Requiem. Show all posts
Showing posts with label Mozart Requiem. Show all posts

Wednesday, 4 March 2015

Artist spotlight - Bass-Baritone Jamie Wright

 
Jamie Wright
Our second featured artist for our forthcoming concert of Mozart and Haydn is Bass-Baritone Jamie Wright.  Jamie is also a graduate from the University of York and alumni of Yorkshire Bach Choir.  Recently awarded a scholarship at the Royal Academy of Music he continues to study singing whilst singing with a number of ensembles. Jamie will be appearing in our performance of Mozart Requiem and Haydn Maria Theresa Mass as the bass soloist.



I began by asking Jamie to tell me a bit more about performing with Yorkshire Bach Choir:
Without a doubt, Bach Choir is one of the things about York I am most grateful for. While studying singing, it is easy to focus so much on future goals and to forget the reasons you decided to pursue it in the first place. Solo work is of course wonderful but there is a special something about performing fantastic music with a large group of people. It was that shared enjoyment and passion that really inspired me the most. I learnt a lot in my time in YBC, and am enourmously thankful for it.

I’m guessing you’ve performed Mozart Requiem before, what do you interests you about this particular piece?
I absolutely love the Mozart Requiem, It’s one of those pieces that you feel you can always go back to and find something you hadn’t caught before. Its a piece of core repertoire for a reason and its going anywhere any time soon, and as a first entry into a piece, not much beats the 'Tuba Mirum' for the Bass (Just as long as its not too slow!).

What do you most enjoy about performing in York?
It's a beautiful city and always a lovely place to come back to. The people are so much more friendly than in London too!

Musically, when have you felt the happiest?
Theres always that buzz when you first see an audience which is amazing. But I think for young singers it is so highly competitive, and easy to worry about whether your voice is ‘good enough’ or ‘in the right place’. When you step back and really just enjoy the music, special things happen and you can really connect with it without being hampered by anything else. My absolute favourite performances have been those when I can really clear my head and simply make the best music I can.

Who is the composer that you’d most like to meet?
J.S.Bach

What is your musical guilty pleasure?
A mixture of Classic Rock (Led Zeppelin mostly!) and electronic music.

Which leads me nicely into asking, which non-classical musician would you love to work with?
One of the great guitarists, Jimmy Hendrix or Jimmy Page I think. (We could have a trio called the three Jimmies!) They were the sort of performers who really understood the music they were making, I think popular music is missing that far more now.

When you’re not practising or performing, how else do you like to spend your time?
It’s easy to let singing take up every spare minute, particularly as a postgraduate. I love photography and its great to take a step back with something else that’s still creative.

How do you mostly listen to music?
Spotify. I know its hardly a great model of fairness for musicians but having that amount of music at your fingertips really is so invaluable, as a performer and just for something to get me through a long train journey! If theres music I know I will always listen to I will always download it or buy the CD.

What is your most treasured possession?
Embarrassingly, my phone. I use it for everything when I’m on the go.

If you hadn’t become a musician, what other job would you have liked to do?
Difficult one, I think as long as there is creativity involved I would be happy, I can’t imagine me doing anything behind a desk for too long! I did want to be a fighter-pilot for a long time, but my eyesight wasn’t good enough.

What keeps you awake at night?
Usually lines from whatever I’m learning at the time.

What would your super power be?
To be able to fly. (I’d save a lot on train fares.)

Who would you invite to your dream dinner party?
Stephen Fry, John Cleese, Stephen Hawking, Meryl Streep and Boris Johnson

We look forward to hearing Jamie singing alongside other soloists Wendy Goodson (Soprano), Nancy Cole (Alto) & Jason Darnell (Tenor) in Mozart Requiem and Haydn Maria Theresa Mass with Yorkshire Bach Choir and Yorkshire Baroque Soloists on Saturday 14 March at 7.30pm at St Michael le Belfrey, York. 


Tickets are available in advance at the National Centre for Early Music by clicking here: bit.ly/1B5i263
 

Further details on Jamie can be found on his website: http://www.jamie-wright.co.uk/ 

Artist spotlight - Alto Nancy Cole

Nancy Cole
Nancy is the alto soloist for our forthcoming performance of Mozart Requiem and Haydn Maria Theresa Mass on Saturday 14 March. Originally from Lancashire, she is an alumni of Yorkshire Bach Choir and former music student at the University of York.  Now studying at the Royal College of Music she features as a soloist in a brand new recording of Bach with Yorkshire Baroque Soloists for Signum Records.


We begain by discussing the Mozart Requiem and Nancy commented:     It's a piece clouded in mystery! It's fascinating to think that Mozart never heard the final work as it was left incomplete by his early death. It certainly heightens the drama and the passion. I have sung it many times, and it remains one of my very favourites.

Tell me more about your time in York...
I studied here for two years and so it's always wonderful to return. It's such a welcoming place to come back to. Each time I come back it never feels like I've been away that long. And not a tube in sight!

What is the hardest thing about performing?

After all the preparations, the best thing you can do in performance is trust you know what your doing, not think too much and really enjoy the sensation of performing. Sometimes that can be the most difficult thing, but can lead to the best performances.

Is there any piece of music or repertoire that haven’t had the opportunity to perform yet but would like to?
I would love to perform the Sea Pictures with full orchestra one day. I've sung them with piano in the practice room but unleashing them with an Orchestra would be amazing.

Which living musician do you most admire?
I think Bryn Terfel is a fantastic personality. I love the way he sings classical music with such energy. He sings such a versatile amount of music, not just classical, without every compromising quality.

What is your musical guilty pleasure?

Music theatre. I've seen Wicked four times. 

Which non-classical musician would you love to work with?
I love folk music and how atmospheric it is. Dan Tyminski is one of my favourite artists - such a fantastic voice and spirit. 

When you’re not practicing or performing, how else do you like to spend your time?
After having resisted for many years, I like to exercise. Particularly with friends, like planning cycle trips or runs with obstacles...a group of us conquered a 'tough guy race' last year. And going to the theatre.

What keeps you awake at night?
Usually fragmented words of songs I'm learning going through my head. It can get very complicated in there.

What would your super power be?
The ability to remember everything you ever learnt.

Who would you invite to your dream dinner party?
Damien Lewis, Beyoncé, Joyce DiDonato, Emila Fox & Stephen Sondheim

We look forward to hearing Nancy singing alongside other soloists Wendy Goodson (Soprano), Jason Darnell (Tenor) & Jamie Wright (Bass) in Mozart Requiem and Haydn Maria Theresa Mass with Yorkshire Bach Choir and Yorkshire Baroque Soloists on Saturday 14 March at 7.30pm at St Michael le Belfrey, York.
 

Tickets are available in advance at the National Centre for Early Music by clicking here: bit.ly/1B5i263
 

Further details on Nancy Cole can be found on her website: www.nancyceciliacole.com
 

Nancy features on the new recording of JS Bach’s early version (1727) of St Matthew Passion (BWV 244b) which has just been released by Signum Records further details can be found here: Details of new recording

Tuesday, 7 October 2014

Introducing the YBC Concert Series 2014/15



YBC Concert Series 2014/15

Rehearsals began in earnest last Friday for our 36th Season of concerts and once again it promises to be a vintage year of singing. Our season will encompass a range of music from cornerstones of the choral repertoire - like Handel: Messiah & Mozart: Requiem - to a focus on Tudor music including some rarely heard pieces by Taverner, Byrd and Sheppard.  


By kind permission of All Hallows, Walkington. Harry Harvey 1970
We launch our concert series on Saturday 1 November with a choral blockbuster in the form of Spem in Alium by Thomas Tallis. For the singer, Spem is the kind of piece that is so good that you when you get to the end you want to go back to the beginning and sing it all over again.  Well, we hope it is the same for the listener so we will perform it twice; once at the beginning of the concert and once at the end.  We will even perform it in two different formations culminating in the ultimate surround sound experience.  Alongside Spem we mark All Saints Day with some motets in Byrd’s most vigorous polyphonic style including the extrovert ‘Laudibus in Sanctis’ (Byrd’s colourful setting of Psalm 150). In a more contemplative vein will be Byrd’s evergreen Mass for Four Voices which ends with the tranquillity of his sublime setting of ‘Dona Nobis’. The concert will be the first of two exploring music for Tudors.



Turning to the rest of the season, December will bring Messiah featuring an acclaimed line up of soloists as part of the York Early Music Christmas Festival.  No season would be complete without music by J.S. Bach, and we begin 2015 performing his motets, along with those of other members of the Bach family, will be the focus of a February concert. As well as accompanying us for Messiah, the verve and precision of the Yorkshire Baroque Soloists will join us in March for Mozart’s Requiem performed alongside Haydn’s joyous Theresienmesse. Following this, in May the second part of our Tudor survey gives a rare chance to hear another two masterpieces of the English Renaissance as we perform Taverner’s Gloria tibi Trinitas and the unique, beautiful In Media Vita by anniversary composer John Sheppard which opens with the haunting words ‘in the midst of life we are in death’.  Our season concludes with high drama in the form of that most tragic tale of a Carthaginian queen as we present a concert version of Dido and Aeneas.    


All our concerts are performed in the glorious surroundings of St Michael le Belfrey a historic church which is right in the heart of York beside York Minster.  


Link to our 2014/15 concert brochure: http://bit.ly/1s8Hrde


Details of concert 1 November 2014: http://bit.ly/1tw6qma


YBC Concert reminder service: http://bit.ly/1nbRxIJ

Contact details:
Twitter: @YorksBachChoir  
Facebook: Yorkshire Bach Choir
Email: marketing@yorkshirebachchoir.org